I'm working on Pten, the conworld that will serve as setting for a novel I'm trying to write.
Basically, Pten is a planet, colonized some time in our future, where technology, for various and complex, and fortunately not plot-relevant reasons is more or less restricted to the preindustrial level. (Basically, it's fantasy in SF disguise, à la Pern)
I'm working on languages and language families, descended from natlang. Classical Kao; a descendant of English, with Mandarin influences, is the best worked-out of those.
It's technically speaking a posteriori, though since it's a far-future language it's best thought of as a priori (English mostly comes up in root formation).
Introduction — Origin of the Kao languages
The Kao language family comprises the descendants of Old Kao, the langue spoken by the small group of settlers that grossed the Ganj pass to reach the Kao subcontinent, in the first centuries of the colonization of Pten.
Old Kao — mostly known through reconstruction — is a descendant of American English. The source dialect was most probably General American, with a heavy Sinitic substratum and notable influences from Romance. Besides American English, the languages was mainly influence by Mandarin and, to a lesser extent, by several Latin American Spanish dialects. Massive sound changes and heavy syntactic influences from Sinitic languages have led to a high degree of divergence from General American. From our reconstruction, it appears that the variety of General American used was rather conservative. We may assume that Old Kao was the natural evolution of an English-based lingua franca, spoken in a population where non-native English speakers outnumbered native speakers.
The classical Kao language or Kía Eŋ ('Kía speech' or 'language of the classics') was the language of the Kía ethnic group. The Kía are named after the Kía dynasty — classical Kao covers the period from the early Kía dynasty to the First Schism — about 900 Pten years, or 1300 earth years — with considerable dialectal variations.
This grammar presents the key elements of the commonly accepted standard, still used as the official language of the Kao empire, alongside the Chancery, closer to the modern vernaculars.
This standard is defined both by the spelling reforms of Kiimai Makoa, and by the grammar and style of the 'golden century', from the Battle of Waa Pass to the death of emperor Asemangas. It is a somewhat artificial synthesis of the Ba dialects used in Shouhedai, the langue of the army and the imperial bureaucracy, and the Wes dialects, specifically the Wes dialects in use in Waadai, the great rival of Shouhedai during the Haisan dynasty. This koine also incorporated lexical and syntactic elements of other Ba dialects, and from the dialects in use in the Re river valley.
Phonology
For this reconstruction of the Classical Kao sound system, we have assumed that spelling was phonetic, from the Kiimai reforms onwards — this hypothesis is confirmed by the commentaries of later grammarians. It is also consistent with reconstructions based on the modern vernacular.
This description will only give an hint of the considerable dialectal variation. We have, rather, attempted to reconstruct as closely as possible the language, as it was spoken by the educated Shouhedai middle-class, at the beginning of the Eng dynasty.
Consonants
The consonant inventory is rather restricted, with only 14 (15, if we include q) consonant phonemes.
- Voicing distinctions have been almost entirely lost — fricatives are always voiceless.
- The key distinguishing features for stops is aspiration. The lenis stops b, d could be voiced at the onset of an unstressed syllable. k was unaspirated at the onset of an unstressed syllable.
- q was not a native phoneme in the Shouhedai dialects — it was re-introduced by borrowings from the Eastern dialects. Its actual pronunciation in Shouhedai is unclear — it could have been a glottal or an epiglottal stop, or both, in free variation, although the most likely possibility was that it was only used in writing, and treated as a silent letter.
- ŋ was realized as a velar nasal at syllable onset, but as an uvular nasal in coda position.
- h had two main allophones: an epiglottal voiceless fricative before a, e, ee, ii and bilabial [ɸ] before o and uu.
- x had two allophones: velar before a, aa and o, palatal [ç] elsewhere.
- Fricatives were never voiced.
- r had two allophones: an alveolar trill and an alveolar approximant, in free variation. To be more specific: the Ba dialects, including the Shouhedai dialect had a trill whereas other dialects had an approximants. Extended social mobility after the Kiimai dynasty seems to have eroded this dialectal distinction.
Classical Kao had eight vowels, four short and four long and seven to eight diphtongs. Some dialects still distinguished short o and short u during the Eng dynasty, but the distinction never made it to the standard.
- e was realized as a schwa in unstressed syllabes. It was pronounced [ɛ] elsewhere.
- ee, usually pronounced [eː] could be diphthongized: [eɪ] in closed syllables.
- o was [ɔ] in closed syllables, [o] elsewhere.
- The phonemic status of the diphtong ei is unclear. It could have been a spelling variantof ee, which would make more sense diachronically. It only occurs in Waadai borrowings.
Classical Kao had three register tones: high (marked with an accute: á), medium (unmarked: a) and low (with a grave: à). Tones were carried by moras: syllables with a short vowel count for one mora, syllable with a long vowel or a diphthongs for two moras. Final moras did not affect the mora count in any way.
With short vowels, there are three possibilities:
- High level with, depending on dialect, a glottal-stop word-finally: dá [ta˥] ~ [taʔ˥], dog
- Mid level : san [san˧], sun
- Low level: èr [ər˩] (dative particle).
- Mid level : Kao [kʰaʊ˧]
- Mid-rising: taí [tʰaɪ˧˥], thirty men
- Creaky-voiced mid-rising: Yáát [jaˀːtʰ˧˥], the god Yaat
- Creaky-voiced high-falling: kóa [kʰʊaˀ˥˩], friend.
- Low-rising: Seràa [sɛ³raː˩˧] (proper name).
- Mid-falling: aà [aa˥˧], hello!
Stress falls regularly on the second-to-last syllable, with secondary stress on the first syllable in four-syllable words:
Xuuhédai [çu˧ ˈħɛ˥ daɪ˧]
Àsemáŋas [ˌa˩ sə ˈma˥ ŋas]
Monosyllabic content words are stressed: san [ˈsan˧] but grammatical particles are not: èr [ər˩].
Syllables and phonotactics
Initials
Possible initials include:
- Nothing: a, en, o
- Any single consonant: dá, wan, Kao, soi, ŋee
- s + nasal (except ŋ), aspirated stop or x: smuu, sten, staa, sxex
- p or k + s or p: kta, ptaí, psaa
Short vowels, long vowels or diphtongs take the medial position: paár, wan, de.
Finals
Finals can be:
- Absent: saa, dèe.
- t: Yáát
- The rhotic r: èr, saar, dat.
- h and x: ŋas, ŋéx, baih
- s except in intervocalic position, or at the end of an unaccented particle: mías, sáis.
- The nasals n and ŋ: haaŋ, paan, nen
The three following sandhi rules are applied, regardless of word boundaries:
1. Elision.
Before a consonant cluster, finals are elided, often leaving behind a changed tone.
Loss of s, x and h leads to the following tone changes:
- Mid-level tone becomes low (if there is one mora) or mid-falling: aas > aà, ax > à.
- High-level and mid-rising tones become mid-level: ás > a, aáh > aa
- Low, low rising and tones with accompanying creaky voiced are unchanged: àh > à, íax > ía
- Mid-level tone becomes high-level or high-rising: aan > aá, at > á.
- Low and mid-falling tones are changed to mid-level: àn > a
- Other tones are unchanged: án > á, pían > pía, paón > paó
2. Mid to high tone sandhi: mid to high
In any group of two syllables: Mid-level tone becomes high or mid-rising when preceding another middle tone: *waŋas > wáŋas, king [wa⁵ŋa³s], *Kao kaon > Kaó kaon, Kao country [kʰaʊ³⁵ kʰaʊn]
3. Low to mid tone sandhi:
Low-level tone becomes mid-level when preceding a syllable with mid-level tone.
*Da siix èr Kiimái waŋas > Dá siix er Kiimái waŋas [tatʰ˥ 'siːɕ˧ ər˧ 'kʰiː³˧maɪˀ˧˥ 'wa˧ŋas˧]
They serve king Kiimai.