Vijay wrote:Soap wrote:The phonology. I think modern Japanese sounds ugly. Specifically because my favorite sounds are either missing or extremely rare: /p b l w/.
Really? All of those are pretty common in modern Japanese, with the exception that Japanese doesn't really have /l/ (but then it doesn't really have /r/, either).
is /hirame/ "sole" 鮃 or 平耳?
Isn't 鮃 Japanese halibut? I have no idea what 平耳 is, and /me/ doesn't appear to be one of the kun'yomi for 耳.

Thanks for the reply. It was 平目, not 平耳. I was copying from a paperback dictionary and couldnt make out the difference between those two glyphs. Anyway 平耳 and 鮃 seem to be simply two acceptable ways to spell the same word, /hirame/, "sole, flounder, halibut" etc.
I could also add "has an elusive tone/pitch system that never seems to be addressed in teaching the language to foreigners" to the list of things I hate, but I cant specifically pin that on the language itself.
As for the phonology, I believe /p b w/ are indeed the three rarest consonants in the language, unless /b/ edges out /z/ largely by being more common in native words where /z/ is more common in Chinese loanwords. Im excluding allophones like [dz] for /d/ from this analysis; I think this is standard, since otherwise you'd have a phonology with a lot of gaps, e.g. */je/ never occurs.
But its not just the guttural-heavy consonant system, there's a certain "vowel-strong" character to the language that I dont like, such that consonants dont even have an independent existence, which I suspect is common among languages where most syllables are CV. And the way vowels affect consonants seems to free up the speakers to speak so quickly that the vowels are completely inaudible in some environments, such that /sukoši/ was borrowed into English as "skosh".
Basically its just a matter of taste of course, and I dont expect others to agree with me. Even as I say this, Im working on a family of "vowel-strong" conlangs that somewhat resemble modern Japanese in phonology, and I've picked out a favorite,
Gilà, and that seems to be the one whose phonology resembles Japanese the most even though I wasnt trying to make it such. However, it still has a lot of /l/, and has a more robust tone system than Japanese (hence the grave accent in the name). I suspect Gilà would be spoken much more slowly than modern Japanese as well.